May 24, 2016 § Leave a comment
In this conference we investigate the potential of visual media to convey and respond to existing as well as emerging social realities. We aim to contribute to an interdisciplinary field of research and practice that includes anthropology, philosophy and visual art. The visual media we wish to discuss range from photography and film to digital media, audio-visual installations and exhibitions.
CAMERA AS CULTURAL CRITQUE – Juxtaposition, Intervention and Co-Creation
Aarhus University & Moesgaard Museum (Denmark)
25-27 May 2016
Speakers include Trinh T. Minh-ha, Andrew Irving, Christian Suhr, Jennifer Deger, Catherine Russell, Jane Jin Kaisen, Mark Curran, Ton Otto, Karen Waltorp and Peter Crawford
Full details available here.
The conference is organised by the research group Camera as Cultural Critique based at the Eye & Mind Laboratory for Visual Anthropology at Aarhus University and Moesgaard Museum. This four-year research initiative (2013-2016) investigates the potential of using visual technologies and methodologies in social science research in practice. We collaborate with a variety of international researchers and practitioners, with the aim of establishing visual anthropology as a distinct form of critique within anthropology and the social sciences in general.
May 4, 2016 § Leave a comment
Mark Curran / THE MARKET
As part of a series of events organised by Peggy Sue Amison (Curator & Artistic Director, East Wing), Irish Artist, Mark Curran will giving a talk on his research project on the functioning and condition of the global markets, THE MARKET, next Monday, May 9th at tête (artist-run project space). All begins at 7.30.
Irish Artist, Mark Curran will talk about his current ongoing transnational project, THE MARKET, which continues a cycle to date, and focuses on the functioning and condition of the global markets. It has been supported by Arts Council of Ireland & curated by Helen Carey. Future installations are confirmed for the UK & France in 2016/17 and a full publication is also planned.
March 25, 2016 § Leave a comment
‘In Mark Curran’s practice, projects unfold over time. (Since the late nineties) Curran has undertaken a cycle of long-term, ethnographically-informed multimedia research projects addressing the predatory context resulting from migrations and flows of global capital…in this major exhibition, The Economy of Appearances, Curran draws these projects together for the first time, expanding the enquiry with newly commissioned work completed in Amsterdam. Incorporating photographs, film, sound, artifactual material and testimony, themes include algorithmic machinery of financial markets, as innovator of this technology, absorption of crises as normalisation of deviance, and long range mapping and consequences of financial activity distanced from citizens and everyday life’ Helen Carey
from Installation at Limerick City Gallery of Art (Autumn 2015)
Filming Isabella Walsh
Editing Isabella Walsh & Mark Curran
Thanks to Arts Council Ireland, Noorderlicht Photography, NEPN (University of Sunderland), Institute of Art, Design & Technology (IADT), Belfast Exposed Photography Gallery, Arts Council of Northern Ireland, Gallery of Photography & Culture Ireland
Full information here (e-flux).
Installation images here.
February 24, 2016 § Leave a comment
How does the marketplace affect our everyday lives? What happens as goods proceed from the factory floor to the trading floor and what role does the economy play in contemporary society? This series of Perspectives asks invited experts to address current economic questions both within Ireland and internationally.
It is in the context of the current show Chris has curated in collaboration with Declan Jordan, lecturer in economics at University College Cork (UCC), titled EVERYTHING MUST GO. The group exhibition addresses the role of art and the market.
Full details here.
December 12, 2015 § Leave a comment
Rachael Campbell-Palmer, Liam Crichton, Mark Curran, Cian Donnelly, Caroline Doolin, Brian Duggan, Gabhann Dunne, Glenn Fitzgerald, Gemma Fitzpatrick, Timothy Furey, Eileen Gray, Seán Grimes, Siobhán Hapaska, Jacqueline Holt, Kevin Lindsay, Eilis McDonald, Lucy McKenna, Eva Rothschild, Gary Shaw
Selected by Anne Kelly, Daniel Jewesbury, Gavin Murphy & Mark Cullen
6–8pm, Friday 11th December 2015
Please see gallery websites for hours and Christmas closing
An artwork, like a book, is not made up of individual words on a page each of which with a meaning, but is instead “caught up in a system of references to other books, other texts, other sentences” †
Not a group exhibition per se, Periodical Review is a discursive action, with the gallery as a magazine-like layout of images that speak (the field talking to itself). This is the exhibition as resource, in which we invite agents within the field to engage with what were for them significant moments, practices, works, activity, objects: nodes within the network.
Periodical Review is an annual survey of recent Irish art, selected in collaboration with invited curators/peers from around Ireland. Each year, Pallas Projects invite two peers – artists, writers, educators, curators – to review and subsequently nominate a number of art practices, selected via an editorial meeting. Such a review-type exhibition within Irish art practice acts to revisit; to be a reminder, a critical appraisal and consolidation of ideas and knowledge; to facilitate and encourage collaboration, crossover and debate.
In looking at self-organized exhibitions, off-site projects, commercial gallery and museum shows, Periodical Review looks to share a spectrum of practices, creating dialogue and critical reflection to help develop and support Irish contemporary art as a whole; and to act as an accessible survey of contemporary art for a wider audience, expanding the experience of art practices from around the country.
Daniel Jewesbury (b. London, 1972) studied Fine Art at NCAD and moved to Belfast in 1996, where he’s worked as an artist, writer, editor and curator ever since. Daniel was a co-editor of Variant from 2000 to 2012, was a prolific contributor to Belfast’s satirical newspaper The Vacuum, and has been published in journals including Third Text, the Edinburgh Review and Art & Research. He is currently researching the relationships between death and desire in the modern city, for a major exhibition he is curating in 2016. Daniel is employed as a Lecturer in Film Studies at the University of Ulster.
Anne Kelly is Programme Curator at the NCAD Gallery, National College of Art and Design, Dublin (2011–). She has previously worked independently as a curator, artist, educator and arts manager on a wide range of exhibitions, projects and live events; and has also held positions at Kerlin Gallery, Temple Bar Gallery + Studios, Sculptors Society of Ireland, Trinity College Dublin and Dublin City University, all Dublin. She is the recipient of Arts Council of Ireland, and CREATE: National Development Agency for Collaborative Arts and County Council awards. Kelly is an NCAD Fine Art graduate and earned an MSc in Computer Science, Trinity College Dublin.
Previous co-curators of Periodical Review: Mary Conlon (Ormston House) & Paul Hallahan (artist & independent curator); Matt Packer (Glucksman/Treignac/CCA) & Michele Horrigan (Askeaton Contemporary Arts); Eamonn Maxwell (Director, Lismore Castle Arts) & Padraic E. Moore (Independent curator), Ruth Carroll (RHA) & Carl Giffney (Good Hatchery).
† Michel Foucault, The Archaeology of Knowledge
Periodical Review #5 is an initiative of Pallas Projects in collaboration with NCAD Gallery. Pallas Projects 2015 programme is supported by Dublin City Council
Dedicated to editor, educator, art writer, colleague & friend, Jason Oakley (1968-2015)